Sanctified, indeed - and just the kind of record to show why Slide Hampton was unlike any of his trombone-playing contemporaries! The set's got a tightness and punch that's really unique - not the compact quality of JJ Johnson and Kai Winding, but also not the hardbop of Curtis Fuller either - instead king of a rousing approach to jazz trombone that really makes Hampton the kind of the soul jazz approach to the instrument! Slide's working here with a cool octet that has the focus of a group half their size - a really well-chosen lineup of young, hip players that includes George Coleman on tenor sax, Hobart Dotson and Richard Williams on trumpets, Larry Ridley on bass, and additional trombone from a y oung Charles Greenlee!

ProtoU & Oljus join forces on this Viking inspired dark ambient album. Ritual drumming and deep drone echo through dark forest and underground caves.
Welcome to the heart of the Nordic forests, where the rustling of leaves and the cool breeze fill your senses. You breathe in the rich, earthy scent of pine, as you survey the towering trees that surround you. The night sky is a deep, velvet black, punctuated by the glimmering of stars. They cast a soft, ethereal light on the clearing, as if observing the mysterious events about to unfold. The forest is alive with the sound of chanting, a distant hum, growing louder and more intense as it approaches. Drums join in and reverberate through your chest. You watch, mesmerized, as the elders perform the ritual, their movements fluid and otherworldly…

Danish 70's (1971-1974 ) progrock band, a second incarnation of Rainbow Band as it is essentially the same band that had to change their name in July 1971 as a Canadian band had already registered the name and the band was about to release ind the US and UK. As Rainbow Band, a "Supergroup" of danish rock and jazz artists, they releases their selftitled debut album in 1970. The album was re-recorded with new vocalist Allan Mortensen in 1971 and re-released again in the second version under the new band name, Midnight Sun. As Midnight Sun the band released two albums and two singles. Bent Hesselmann went on as a solo artist, releasing the now rare album "Bøsse". Peer Frost left the band to join Savage Rose. Allan Mortensen also persued a solo career.

Jaga Jazzist, the Norwegian multi-instrumental boundary-busters, may occupy a niche, but it feels like an enduringly spacious and fertile one, where sounds that recall everything from Weather Report to big-band jazz, krautrock, Radiohead or even the Pat Metheny Group intertwine. Last year’s 20th anniversary retrospective was fascinatingly diverse, but Starfire – conceived in composer Lars Horntveth’s new Los Angeles home, rather than in Oslo – is a more densely layered and studio-dominated deployment of this band’s awesome resources. The title track is classic Jazzist: a sound like the Shadows driven by a marching-band thump skids through power-chord guitar hooks and Zappaesque melodic zigzags; the atmospheric Big City Music is a masterly balance of quickfire rhythm-section ingenuity and the instrumental diversity of guitars, keys and brass. The tunes remain quirkily dramatic and the thematic scene-shifting spectacular, but a little thinning-out would have let Jaga Jazzist’s uniquely mercurial music breathe more.

In the course of nine years, the Strawbs evolved from an obscure, quirky British bluegrass group into one of the most beloved progressive rock bands in the world. This 150-minute collection covers most of that history, encompassing most (but not all) of the key songs from their nine A&M albums, as well as lost B-sides, songs by ex-members Richard Hudson and John Ford, and a pair of tracks off of Dave Cousins' 1972 solo album Two Weeks Last Summer. The selection of material is inspired, juxtaposing rarities with a good deal of important music from the core of their output. The programming straddles the collectable and the historical/musical significance of the material, so we get early-'70s FM hits such as "The River" and "Down by the Sea" sharing space with material such as "Martin Luther King's Dream" and subsequent extended progressive material like "Ghosts."

It is 1978 and Climax Blues Band is at the peak of its powers during a happy golden era when rock bands rule. They had hit the charts the previous year with funky single Couldn't Get It Right and they get it right on again with shiny new album Shine On . It features marvellous performances from a classic Climax line up with Peter Haycock at the helm on lead guitar and vocals. Peter is joined by Colin Cooper, the deep toned vocal-meister and superb alto sax player. They are boosted by a super tight rhythm section comprising Derek Holt (bass) and John Cuffley (drums).

This special set includes two-disc compilation album The Very Best Of Eagles and DVD - Farewell 1 Tour: Live From Melbourne, released on one disc. The Very Best Of (released as The Complete Greatest Hits in the UK, Australia, and New Zealand) is a two-disc compilation album by the Eagles, released in 2003. This album combines all tracks that appeared on the two previously released Eagles greatest hits albums (Their Greatest Hits (1971-1975) & Eagles Greatest Hits, Vol. 2), along with other singles not included on the first two compilations, album tracks and the new track "Hole in the World". Farewell 1 Tour - Live from Melbourne is a double DVD by Eagles, released in 2005. It was filmed in Melbourne, Australia at the Rod Laver Arena on the 14, 15 and 17 of November 2004, in the same name tour, featuring two new songs. It is the second record featuring the Eagles as quartet (without Don Felder) but it did feature a horn section.

With Your Wilderness, Bruce Soord's the Pineapple Thief shift their musical focus away from their exploration of polished rock so evident on 2012's All the Wars and 2014's Magnolia, and back toward contemporary prog. Drummer Dan Osborne, who made his debut with the band on Magnolia, proved short-lived in his role; he has been replaced by Porcupine Tree/King Crimson kit man Gavin Harrison. Soord also enlisted guests including Supertramp's John Helliwell on clarinet, Caravan's string player/arranger Geoffrey Richardson, Godsticks' guitarist Darran Charles, and a four-voice choir. Harrison's addition can't be overstated. His playing extends the reach of their musicality exponentially.
The album title denotes themes of isolation, loneliness, and alienation - not unfamiliar ones in PT's oeuvre. That said, they've never been explored with such a brooding focus as they are here…