Ordinary Average Guy is the ninth solo studio album by the American singer-songwriter and multi-instrumentalist Joe Walsh. The album was released in mid 1991. It was Walsh's first album of entirely new music since Got Any Gum? in 1987, and his first solo album to be issued internationally by Epic following a four-year alliance with Warner Bros. Records in the United States and Canada. The album features Ringo Starr, Survivor's lead vocalist Jimi Jamison, and the drummer Joe Vitale from Walsh's former band Barnstorm. Vitale also sings the lead vocals on the final track of the album, "School Days".

Taï Phong released 2 sensational progressive rock albums in the mid 70's "Windows" and their debut release. Taï Phong blend the classic prog sounds of Yes with a touch of Pink Floyd. Lead singer Khanh has a higher vocal pitch than Jon Anderson and he is not afraid to let it rip! This band houses some amazing musicianship and song writing capabilities.

No matter the lack of critical popular acclaim for director Akiva Goldsman's adaptation of Mark Helprin's novel Winter's Tale, the Hans Zimmer/ Rupert Gregson-Williams score is utterly worthy of the film, and also the novel itself. Full of classical and electronic textures, ambiences, and melodies that wed both the lyric themes of 19th century folk and classical music to the early 20th, these 14 cues are, by turns, delicate and dramatic, melancholy and romantic, spare and elegant. As a piece of music it stands on its own. The final track here is singer/songwriter K.T. Tunstall's "Miracle," written with A.R. Rahman specifically for the film. While it is dramatically different from the rest of the score, since it is the final track, it sums up the transcendent nature of the narrative.

Scottish whiskey-voiced vocalist Frankie Miller never made much of a splash in the States, despite, or perhaps because of, his fixation on American soul and R&B. Yanks have never been terribly appreciative of the music that originated in their homeland, which might have been a contributing factor to Miller's marginal popularity in the U.S. He was a fairly major star in the U.K., though, big enough for EMI to remaster, repackage, and reissue his catalog (at least for the titles on their Chrysalis imprint) into this generous four-disc box. They even include a few rare singles and, more importantly, the original mix of his second effort, High Life, along with the previously released one, expanding this set's total to eight albums from 1973 through 1980.

HighNote finally issued this unreleased 1973 live date that puts leader Zoot Sims in the company of pianist Jimmy Rowles, bassist George Mraz and drummer Mousie Alexander. Most of the tunes are standards, but there is a rather rare Sims appearance on the soprano saxophone on "Rocking in Rhythm." The sound here is fine for a club performance though the players are a tad raw. That said, the performance, particularly that of Rowles, is swinging, hot, and blue.

From pole to pole and sea to sea, Amon Amarth are undisputed kings of Viking heavy metal. Formed in Tumba, Sweden, in 1992, they have forged an extraordinary legacy over three decades of thunderous, anthemic metal, all rich in the magical imagery of Viking history, folklore and culture. Armed with their 12th and arguably finest album to date, Amon Amarth are poised to return to full action with a bloody, broadsword-wielding vengeance. The release of The Great Heathen Army will kick-start another relentless global campaign, commencing with a co-headlining tour of Europe alongside Machine Head and fellow countrymen The Halo Effect.

A concept album, Jon Anderson's (Yes) "Toltec" is made up of 13 cuts divided into three parts. It tells the tale of the Toltec, a Native American concept of a group of people who have been all over the Earth, existing within different cultures throughout the centuries. They are described in the liner as "Creators of the circles of power, color, perfume, and music healing domes." Musically, this one is arguably Anderson's most ambitious solo effort. It is set in a style that is definitely progressive rock, but focuses less on the rock and more on other elements. Among those elements are new age (no surprise as the CD was released on the Windham Hill label), world music, electronic, and even jazz. Anderson not only provided the expected vocals, but also wrote, arranged, and produced the disc…