The new double live album "Live under the Creole moon" electric at the Nancy Jazz pulsation and acoustic at the Tiger's Manor will be in the stores the 19th of may.
The electric album contains 19 tracks and the acoustic album 16 tracks (on CD) featuring songs like : Crazy voodoo woman, ,I'm a dead cat, Oumamamama…

On Time is Grand Funk Railroad's first studio album, released in August 1969 by Capitol Records. It was produced by Terry Knight. "Time Machine", the band's first single release, barely broke the top 50 in the singles charts, reaching #48, however, after the success of their second album Grand Funk (aka The Red Album), On Time went gold shortly thereafter in 1970, one of four gold record awards for the band that year. The other two albums reaching gold status in 1970 for GFR were Closer to Home and Live Album.

This CD Boxset has to be one of the most amazing pieces of work ever made! It is amazing to watch P!nk grow as an artist and change as person, the whole thing is fantastic! I love the bonus tracks that aren't on the seperate albums I've bought previously, lot's of fun - I recommend this to any fan… even those who aren't fans! Trust me - This will change your view completely. Incredible!

In many facets, Big Brother and the Holding Company's Cheap Thrills is the quintessential album to spring from the outcome of the Summer of Love. Best known as Janis Joplin's major-label debut, the 1968 set arrived when the countercultural movement was in full swing and before co-optation, drugs, and violence signaled the fall of the era. Ranked #338 on Rolling Stone's 500 Greatest Albums of All Time, it puts a female singer in the prominent position traditionally given to a male and showcases a band pouring a potent cocktail of fiery psychedelic, blues, and folk sounds that informed the unfettered creativity of the San Francisco scene. Produced by John Simon, Cheap Thrills also features one of the most iconic and elaborate album covers in history.

Santana is the third studio album by Santana. The band's second self-titled album, it is often referred to as III to distinguish it from the band's 1969 debut album. The album was also known as Man with an Outstretched Hand. It was the third and last album by the Woodstock-era lineup, and it was also considered by many to be the band's peak commercially and musically, as subsequent releases aimed towards more experimental jazz and Latin music.

Recorded in Japan in July 1973, this massive, three-LP live album was available outside the United States in 1974 but held back from domestic release in the U.S. It features the same "New Santana Band" that recorded Welcome, and combines that group's jazz and spiritual influences with performances of earlier Latin rock favorites like "Oye Como Va."

The Best of Uriah Heep is the first compilation album by British rock band Uriah Heep released in 1976. It reached gold status in Germany. Ah, perhaps there's truth in advertising after all, since The Best of Uriah Heep really is a "best of." Nothing less than a musical Juggernaut, this compilation delivers wave after wave of heavy molten rock that will either forge your fealty or send you fleeing. At their most menacing ("Gypsy," "Bird of Prey"), Heep rides relentlessly alongside the horsemen of the apocalypse, Black Sabbath and Van Der Graaf Generator. What the band lacks in artful studio execution they make up for in sheer force, from Ken Hensley's towering organ to Mick Box's distortion-drenched guitar…

An unknown UK album with such a great musical potential. Musically it is a very powerful guitar dominated underground rock such as Black Sabbath, Blue Cheer, Dark or Grannie. The rarety factor is way above all those other rare UK album, which stay in low pressings of 99 copies and 15-20 such as Dark. This one has been pressed only 4 times ever. In September 1971 Eugene Carnan entered a UK-wide competition for “Best New Band” run by the famous Melody Maker magazine, they recorded the album in 1972 and took it to London to Eden Studios for a demo pressing and cut 4 acetates. Eugene Carnan a 3 piece band are from The Rhondda Valley, in South Wales, UK with guitar & vocals, bass and drums. All own composition. A killer album from beginning to end.

An interesting and slightly unexpected release on the Brian Jonestown Massacre's label – doubtless because Dead Meadow opened for that band, whose Anton Newcombe ended up providing the tapes – Got Live if You Want It! is, indeed, a show recording from a date in early 2002. The combination of sludge, drift and, in Jason Simon's singing, a surprisingly easy-to-grasp melodicism that defines the group stands out pretty well here, and, while long-time fans might debate the virtues of these takes with the studio ones, this is definitely a great starting point for those new to the group. Most of the selections come from the self-titled EP – the only Howls from the Hills song is a mighty fine "Dusty Nothing" – and, as befits the band's oldest songs, they sound well-seasoned in the group's capable hands. Simon's got it down as both a good singer and an even better guitarist; the odd semi-whine in his vocals might initially be a touch off-putting, but, by steering clear of more clichéd bellows or roars, it's a great contrast to the heavy-psych mania that the trio kicks up.

Outstanding debut studio disc by this awesome instrumental heavy guitar rock band from the land of Greece featuring the excellent six string skills of axemaster Stavros Papadopoulos on guitar. Includes 10 tracks of impressive, creative, dynamic, way-kool, blues-based, heavy guitar power trio rock mojo of world-class proportions. Universal Hippies is the musical brain-child and creation of the talented, prolific guitarist named Stavros Papadopoulos. Those of you in the know are familiar with Brother Stavros through his other various excellent Grooveyard Records bands: Super Vintage, Freerock Saints & Hard Driver. The man is a super-natural, six string freak of nature who has strong passion for the guitar…

In Dead Meadow's universe, the wah-wah pedal is just as important as the guitar itself, and both are clearly more important than any sort of vocals. In fact, at first listen, singer/guitarist Jason Simon's barely audible whine puts the band's eponymous debut in some jeopardy before it has a chance to get underway. Coupled with the all-too-sluggish haze through which early tracks "Sleepy Silver Door" and "Indian Bones" slowly drift into focus, it may scare off many listeners before they can discover the secret of Dead Meadow's true appeal. First hinted at by the sweet, acoustic simplicity of "At the Edge of the Wood" (where the singer redeems himself with a gentle, much more effective Neil Young-like delivery), this subsequently takes shape via Simon's inspired guitar work. Displaying a subtle but nevertheless formidable control of tone and feedback, the guitarist creates a hypnotic wash of sound – akin to a softcore Hendrix. Having figured out this small mystery, open-minded stoner rock enthusiasts can then appreciate the laid-back perfection of the album's stellar second half.