Steppenwolf have become synonymous with their huge Harley ridin'-hit, "Born to be Wild", although in reality, their success was far broader, with sales totaling more than 25 million units worldwide. Now their eponymous debut album originally released in 1968 is back and on Hybrid SACD, stunning audiophiles everywhere — courtesy of Analogue Productions! Their history is littered with a succession of band members, substance abuse issues and several break-ups and reformations, but Steppenwolf endures.

Seven Tears finds Golden Earring continuing to develop its distinctive blend of hard rock and prog elements, but the end result is not as consistent as 1970's Golden Earring. The big problem this time out is that the group's adventurous genre-hopping tendencies don't always result in strong songs: "Silver Ships" is a soft, science fiction-influenced song that generates a potent atmosphere but lacks the strong arrangement and sense of dynamics that would allow it to take flight, and "You're Better Off Free" loses sight of its catchy tune with a lengthy midsection guitar jam that derails an otherwise interesting song. Despite these problems, Seven Tears shows a band willing to take big risks to transform its combination of elements into a totally unique style.

Vanilla Fudge took a more basic stance with Rock 'n' Roll, bringing in Aerosmith's first and the Velvet Underground's last producer, Adrian Barber, to replace Shadow Morton. Guitarist Vinnie Martell sings lead on "Need Love," and it is a quagmire of rock sounds, offset by Mark Stein's "Lord in the Country." The band then goes after a good but non-hit Carole King/Gerry Goffin number, "I Can't Make It Alone." It has that vibe that made "Take Me for a Little While" so important and so timeless, but there's just something missing. This is Vanilla Fudge's trademark sound looking for a new personality. The band started in 1967 by releasing an album of seven cover tunes done Vanilla Fudge-style.

On this, the second Spirit album, the group put all of the elements together that made them the legendary (and underrated) band that they were. Jazz, rock & roll, and even classical elements combined to create one of the cleanest, most tasteful syntheses of its day. The group had also improved measurably from their fine debut album, especially in the area of vocals. The album's hit single, "I Got a Line on You," boasts especially strong harmonies as well as one of the greatest rock riffs of the period. The first side of this record is a wonderful and seamless suite, and taken in its entirety, one of the greatest sides on Los Angeles rock. The CD reissue also boasts some excellent bonus tracks. "So Little to Say" is one of Jay Ferguson's finest compositions ever, and the jazz-inspired instrumentals such as "Fog" and "Space Chile" showcase pianist John Locke as one of the most inspired and lyrical players in the rock idiom to date. All in all, a classic album and a true landmark.

Music Scene is a spectacular, one-of-a-kind program that originally aired on ABC-TV from 1969-1970. The show featured the most popular contemporary performers along with many varied musical legends. Hosted by comedian David Steinberg and special guests, Music Scene was based on Billboard magazine's hit record charts and offered exclusive live performances by virtually every major star from the rock, country, soul, folk, and pop genres. Includes full-length, hit performances by: James Brown, Crosby, Stills, Nash & Young, Joe Cocker, Merle Haggard, Isaac Hayes, Richie Havens, Janis Joplin, Jerry Lee Lewis, Little Richard, Lulu, Roger Miller, Buck Owens, Charley Pride, Lou Rawls, Della Reese, Bobby Sherman, B.B. King, Sly & the Family Stone, Smokey Robinson & the Miracles, the Everly Brothers, the Grass Roots, the Rascals, the Temptations, Three Dog Night, and many, many more!

Santana is the third studio album by Santana. The band's second self-titled album, it is often referred to as III to distinguish it from the band's 1969 debut album. The album was also known as Man with an Outstretched Hand. It was the third and last album by the Woodstock-era lineup, and it was also considered by many to be the band's peak commercially and musically, as subsequent releases aimed towards more experimental jazz and Latin music.

Great UK underground heavy psych rock album from 1969 recorded by a trio from Lancashire. Well structured songs with fine melodies similar in places to Cream but with the odd swathe of mellotron lending an early progressive touch. Much loved by collectors of UK underground music this album is well worth checking out…Highly recommended. Little Free Rock was an English late 1960s psychedelic hard rock trio from Preston in Lancashire, England. It featured Peter Illingworth (lead guitar and vocals) (born 21 July 1943, Inglewhite Road, Longridge, Lancashire) (formerly with David John and the Mood who recorded with Joe Meek), Paul Varley (drums) (later with Arrows) and Frank Newbold (bass and vocals).

Led by John Kay, Steppenwolf's blazing biker anthem "Born to Be Wild" roared out of speakers everywhere in the fiery summer of 1968, John Kay's threatening rasp sounding a mesmerizing call to arms to the counterculture movement rapidly sprouting up nationwide. German immigrant Kay got his professional start in a bluesy Toronto band called Sparrow, recording for Columbia in 1966. After Sparrow disbanded, Kay relocated to the West Coast and formed Steppenwolf, named after the Herman Hesse novel. "Born to Be Wild," their third single on ABC-Dunhill, was immortalized on the soundtrack of Dennis Hopper's underground film classic Easy Rider. The song's reference to "heavy metal thunder" finally gave an assignable name to an emerging genre. Steppenwolf's second monster hit that year, the psychedelic "Magic Carpet Ride," and the follow-ups "Rock Me," "Move Over," and "Hey Lawdy Mama" further established the band's credibility on the hard rock circuit.

Hard-rocking British blues band led by virtuosic guitarist Alvin Lee and best known for their legendary Woodstock performance. 2012 Compilation. 34 Tracks. Including 3 BBC recordings, previously unavailable on CD.

Rare Earth combined R&B, funk, and psychedelic rock on hits like "Get Ready" and "I Just Want To Celebrate", but FILL YOUR HEAD tells the story of their classic years in detail. Encompassing the five studio albums from their prime period, this box set includes not only the band's best-known material, but all the additional album cuts that simultaneously contextualize and complete the Rare Earth legacy. Get the lowdown on one of finest, funkiest rock bands ever to grow from the Motown family tree.

Blue Öyster Cult is the eponymous debut album by the American hard rock band Blue Öyster Cult, released in January 16, 1972. The album featured songs such as "Cities on Flame with Rock and Roll", "Stairway to the Stars", and "Then Came the Last Days of May", all of which the band still plays regularly during its concerts. Despite positive reviews, the album failed to chart for some time before finally cracking the Billboard 200 on May 20, 1972, peaking at No. 172. Blue Öyster Cult toured with artists such as The Byrds, Alice Cooper and the Mahavishnu Orchestra to support the album.

Rock band formed in London by German keyboard player Jeff Beer, Dutch guitarist Rob Terstall plus the English bassist and drummer from Honest truth: Ray Brown and Stuart Fordham. An international affair from the get-go, Honest Truth, boasting a British rhythm section and a Dutch guitarist, lit up German stages in the late '60s before calling it a day. Drummer Stuart Fordham and bassist Ray Brown promptly returned to their island home, but were coaxed back across the North Sea in 1971 by guitarist Rob Terstall and his new musical companion, German keyboardist Jeff Beer. Dubbing themselves Odin, the group's ferocious shows quickly caught the attention of the Vertigo label, which released the band's sole album, this 1972 self-titled set. From the opening track, the quartet's breathtaking musical skills are on display, with Terstall and the teenaged Beer trying to one-up each other's consummate solos…

As a single-disc compilation, The Ultimate Experience is hard to beat. Drawing from all of the original Jimi Hendrix Experience albums, the 20-track collection hits all of the major highpoints – "Purple Haze," "All Along the Watchtower," "Little Wing," "Red House," "The Wind Cries Mary," "Highway Chile," "Angel" – and gives an accurate impression of why Hendrix was so revolutionary and influential…

With its endless, droning minor-key riff and mumbled vocals, "In-A-Gadda-Da-Vida" is arguably the most notorious song of the acid rock era. According to legend, the group was so stoned when they recorded the track that they could neither pronounce the title "In the Garden of Eden" or end the track, so it rambles on for a full 17 minutes, which to some listeners sounds like eternity. But that's the essence of its appeal – it's the epitome of heavy psychedelic excess, encapsulating the most indulgent tendencies of the era. Iron Butterfly never matched the warped excesses of "In-A-Gadda-Da-Vida," either on their debut album of the same name or the rest of their catalog, yet they occasionally made some enjoyable fuzz guitar-driven psychedelia that works as a period piece.

Turkish act Siddhartha was formed in 1993 by Özgür dEmian Kurcan (vocals, guitars), Ege Madra (guitars) and Ulas Akin (bass). For the first 5 years of their existence the band concentrated on being an active live band, with a line-up that soon included Volkan Yildrim (keyboards), Orkun Öker (keyboards) and Kaan Sezgin (drums). In 1998 they hit the studio to record an album, and together with a few songs previously recorded their debut release Siddhartha was issued by Ada Muzik the same year. Siddhartha was disbanded as an active unit in 2001, as founding member Kurcan formed the music collective Siddharthasound Corporation together with Öker instead, a working musical unit first and foremost serving as a vehicle for it's founding members various musical ventures. Turkish outfit Siddhartha explore a flowing and at times hard hitting musical landscape with similarities to bands such as Hawkwind, Pink Floyd and Eloy; and might be of interest to followers of said bands in particular and space rock fans.