Flat Earth Society Orchestra (FES) is approaching a quarter-century of unreliable music production, with a mission that remains burningly topical and a role that is still not played out. On The One, the indomitable Belgian institute takes on the single-mindedness of truth. In a maddening world of jumbling perspectives, bawling personalities and hunger for comprehension, "The One" has become the highest good. One truth, one clarity, one version, one story.

Recorded live at the Frankfurt Art Rock Festival in 1989 and at The Knitting Factory in 1990, this duo performed a handful of times in NYC, at a few festivals in Europe, and one time in Tokyo. Some tunes are stripped down to piano and guitar, others utilize drum machines, samplers and sequencers to fill out the arrangements. The music still sounds fresh, and serves as a portrait of an era, and just how unique this collaboration was.

Herbert von Karajan was an Austrian conductor. He was principal conductor of the Berlin Philharmonic for 34 years. During the Nazi era, he debuted at the Salzburg Festival, with the Vienna Philharmonic, the Berlin Philharmonic, and during World War II he conducted at the Berlin State Opera. Generally regarded as one of the greatest conductors of the 20th century, he was a controversial but dominant figure in European classical music from the mid-1950s until his death. Part of the reason for this was the large number of recordings he made and their prominence during his lifetime. By one estimate, he was the top-selling classical music recording artist of all time, having sold an estimated 200 million records.

Epic/Legacy expanded Stevie Ray Vaughan’s second album Couldn’t Stand the Weather in 1999, adding four outtakes and an interview excerpt to the eight-track original, but the 2010 Legacy Edition expands it further still, retaining those four cuts, adding four songs from the posthumous compilation The Sky Is Crying (“Empty Arms,” “Wham!,” “Close to You,” “Little Wing”) along with three previously unreleased alternate takes (“The Sky Is Crying,” “Stang’s Swang,” “Boot Hill”), and a full, unreleased concert SRV & Double Trouble gave at the Spectrum in Montreal on August 17, 1984. Apart from “Empty Arms” and “Stang’s Swang,” every studio outtake is a cover, underscoring how Vaughan spent much of Couldn’t Stand the Weather drawing from his influences and synthesizing them into his own voice, and their addition actually strengthens the album considerably. With that in mind, the lively concert on the second disc is a bonus treat, evidence that SRV & Double Trouble were flying very high during 1984 and one of the better complete live sets in Vaughan’s discography.

Helloween are one of Germany’s most respected metal exports and considered the founders of German melodic speed metal. As godfathers of the genre, they have grown to become one of the most influential metal bands in the world. Formed in Hamburg in 1984 the band have released 14 studio albums and 3 live albums and are still active today with their last album debuting at number 4 on the German chart, their highest position ever. They have sold over 8 million records and their Noise albums Keeper of the Seven Keys Part 1 and 11 are considered masterpieces of their genre. Ride The Sky, The Very Best Of The Noise Years 1985-1998 features the killer riffs and haunting melodies of the band’s greatest songs. Ride The Sky is one of 8 new 2CD and digital compilations released as part of the Noise Lebt reissue series. Features striking generic packaging in a stylish digipack with new sleevenotes featuring band interviews, photos and memorabilia.

IT'SNAZ is a double live album by the Scottish hard rock band Nazareth, released in late 1981. The full album title is It's Naz but the artwork spread the title, in block-capitals, fully over the outside of the gatefold-sleeve: when not opened only 'S NAZ is visible on the front. The back of the original album cover includes the letters "I" and "T" causing many to misinterpret the title of the album as "'Snaz" which is incorrect. That no space was left between the 'S' and 'NAZ' seems deliberate, as contemporary adverts for the album in the music press write it as IT'SNAZ. The band's official website gives the title as It's Naz.