The son of Bad Company is what this debut by the band Sharks resembles, lead vocalist Snips sounding like he gargled with Kim Carnes and Paul Rodgers' mouthwash, that gravel voice Rod Stewart made the most of accompanied here by guitar great Chris Spedding, drummer Marty Simon, and bassist Andy Fraser from the group Free. This self-titled debut doesn't have the groove of their 1974 release, Jab It in Yore Eye, despite four of the nine songs written by Fraser (replaced by Busta Cherry Jones on the follow-up), including "Doctor Love," a song Leslie West covered for his The Great Fatsby album, generating some early validation for this work.

This CD, in places, just cranks it up and spits out a wall of undiluted rock and roll. Straight ahead full speed ahead and tell everything to get out of our way. "Gypsy Blood," and "Dancin' on Top of the World," are two cuts that really stand out in this vein. A couple of the tracks just seem to be languishing in a daze as if they've suffered a concussion, and can't decide which way to go. This CD is produced by Dave Edmunds, and I like a lot of his work because when it hits, it hits hard. However, when it misses it leaves you scratching your head wondering. The band is tight, just sometimes lacking that guiding hand. The hard-charging "Courage" alone makes this a worthwhile disc, and there is more than just that track to pick the listener up. (Bob Gottlieb, AMG)

Child Is Father to the Man is keyboard player/singer/arranger Al Kooper's finest work, an album on which he moves the folk-blues-rock amalgamation of the Blues Project into even wider pastures, taking in classical and jazz elements (including strings and horns), all without losing the pop essence that makes the hybrid work. This is one of the great albums of the eclectic post-Sgt. Pepper era of the late '60s, a time when you could borrow styles from Greenwich Village contemporary folk to San Francisco acid rock and mix them into what seemed to have the potential to become a new American musical form. It's Kooper's bluesy songs, such as "I Love You More Than You'll Ever Know" and "I Can't Quit Her," and his singing that are the primary focus, but the album is an aural delight; listen to the way the bass guitar interacts with the horns on "My Days Are Numbered" or the charming arrangement and Steve Katz's vocal on Tim Buckley's "Morning Glory." Then Kooper sings Harry Nilsson's "Without Her" over a delicate, jazzy backing with flügelhorn/alto saxophone interplay by Randy Brecker and Fred Lipsius.

Sometimes, a greatest-hits set is timed perfectly to gather together a group's most successful and familiar performances just at the point when that group has passed the point of their maximum exposure to the public, but before the public memory has had a chance to fade. That was the case when Columbia Records assembled this compilation for release in early 1972. At that point, Blood, Sweat & Tears had released four albums and scored six Top 40 hits, each of which is heard here. But lead singer David Clayton-Thomas had just quit the group, so that the unit that recorded songs like "You've Made Me So Very Happy" was not working together anymore. And even when Clayton-Thomas returned, the band would continue to decline commercially. As such, BS&T's Greatest Hits captures the band's peak in 11 selections–seven singles chart entries, plus two album tracks from the celebrated debut album when Al Kooper helmed the group, and two more from the Grammy-winning multi-platinum second album.

Brown's third studio album, 43 Minutes…, was made around the same time that her mother was dying from breast cancer. A&M, Brown's record label at the time were not satisfied with the album and wanted some potential hit singles recorded and added to the track listing. Brown, unwilling to compromise and after a protracted legal battle, bought back the master recordings of the album and released them in 1992 on her own label Pod Music, a year after the death of her mother. The album has become a firm favourite with fans who cite it as her strongest album in her portfolio.

Amore is the eleventh studio album by Italian tenor Andrea Bocelli, released on 31 January 2006, for the Valentine's Day season. This album features a remake of Elvis Presley's "Can't Help Falling in Love"; "Because We Believe", the closing song of the 2006 Winter Olympics in Turin, Italy, which Bocelli wrote and performed; "Somos Novios (It's Impossible), a duet with American pop singer Christina Aguilera; and his first recording of Bésame Mucho, which eventually became one of his signature songs. Amore debuted at No. 3 on the Billboard 200 chart, which at the time was Bocelli's highest chart position in America yet. It went on to sell 1.66 million copies in the United States and was certified Platinum. Bocelli was the seventh best-selling artist of 2006, in the United States, and was also certified Gold and Platinum in several other counties.

With 25 years of reign and seven acclaimed albums under their belt, Grammy-nominated metalcore pioneers As I Lay Dying are back with an unmissable new album that will define their legacy for years to come. Poised to be one of the most highly-anticipated metal comebacks in years, the band’s eighth full-length studio album, Through Storms Ahead, will drop on November 15, 2024 via Napalm Records. Following their 2019 album, Shaped By Fire, which Loudwire named one of the best albums of that year, the new album is an evolution of newly explored elements that further bolster the proven line-up of vocalist Tim Lambesis and guitarist Phil Sgrosso alongside recent newcomers Ryan Neff (bass, clean vocals), Nick Pierce (drums) and Ken Susi (guitar).